From the Thames to the Nile

Exhibition notes by Louise Sinclair, July 1997:

“This exhibition includes works from selected first generation expatriate artists with particular emphasis on subjects which indicate the geographical breadth of their European and North African journeys.”

Date

19 July, 1997
— 24 September, 1997

Venue

Hocken Collections - Uare Taoka o Hākena, University of Otago Library

Location

Dunedin, New Zealand

Exhibition artworks

VIEW

Exhibition reviews

The Critic, August, 1997

“The works in this exhibition are predominantly from the 1900s to the 1930s. The title indicates what 'abroad' meant to these artists: Europe and North Africa. The exhibition offers insights into the cultural attitudes of New Zealanders earlier this century. Many artists felt isolated and undervalued here in a time when national cultural identity was in its formative stages, pakeha New Zealand looked back to Europe ... The works themselves show the influence of modernist movements – impressionism, expressionism, cubism – albeit somewhat later than when they were 'cutting edge' in Europe. They are mostly landscapes, sometimes peopled, offering something more studied than a tourist snap.”

'Art Scene' by Richard Dingwall, Otago Daily Times, 22.07.1997, pg 10

“Meanwhile at the The Hocken Gallery, a new exhibition of selections from the collection looks at work produced by New Zealand artists abroad ... Among the unfamiliar works are two wonderful paintings by Flora Scales. Scales is well-known in New Zealand art history because of her brief contact with Toss Woollaston and the notes she gave him to copy when she attended the Hans Hofmann School in Munich. This does her the injustice of ignoring her own remarkable work.

The earlier of the two [Greniar [Graniers], St Tropez, Southern France, BC024] shows how advanced her own work was as early as 1938. Even better is the work of her late maturity St Michael [BC041], which has recently come into the Hocken collection from the estate of the late Patricia France, a view of St Michel. Much of the artist's early work was lost in a fire and she spent many years living abroad. This has led to her work being less well known than it deserves.”