BC056

St Ives, Cornwall

Elevated viewpoint over breakwater across bay to pale beach and green hills. Lower right vertical and horizontal blue marks. Lower centre vertical brush strokes of white on either side of shapes suggestive of architecture. Horizontal ochre bar extends from left hand margin with white brush strokes at tip.

Other title(s)
St Ives
Date
c. 1968 1970
Object type
painting
Medium and materials
oil on prepared board
Dimensions
280x345mm
Place Made
St Ives, Cornwall, England
Inscriptions

LL ochre brush point Scales

Verso gallery label, owner's name and address, acquired Sept 1976

Verso UL St Ives

Verso UR 21

Verso Centre 240'6/Scales

Details
Credit Line
Current Collection

Collection of Gretchen Albrecht and James Ross

Current Location

Auckland, New Zealand

General notes

First title and date supplied by the artist for Auckland City Art Gallery exhibition, Helen F V Scales, 1975-1976. Listed as artwork no. 21 in this exhibition. Alternative title, St Ives, taken from the exhibition Flora Scales at The Suter Te Aratoi o Whakatū, Nelson, 2018.

Purchased by original owner from the artist in her Brentwood Avenue flat, Mt Eden, Auckland, New Zealand, 1976, just prior to the artist returning to Europe.

The location of this work was identified by British artist, Patrick Heron, while as an artist-in-residence at the International Art Workshop, Teschemakers Resort, Kakanui, Oamaru, 9 February - 1 March, 1991.

This is one of a series of paintings based on the location of the Pedn-Olva Hotel on Porthminster Beach. Pedn-Olva means 'lookout on the headland'. The hotel is a registered navigational mark for ships which perhaps added to its attraction as a subject for Scales, with her lifelong interest in boats, ships, piers and the sea.

It shows an elevated view looking across the Bay of St Ives towards Hayle Beach in the upper third of canvas. Centre left is St Ives's distinctive white lighthouse.

Diana Mills, Flora Scales’s great niece, in a letter to B. de Lange, 12.11.1983: “I visited her there in a sparsely furnished house on the side of a hill. It was jolly cold and the wind was prevented from making life completely miserable only by thick red velvet curtains. Heavy as they were they still blew at an angle into the room...I was appalled by the lack of comfort with which she lived her life.”

The 1950s saw the burgeoning of the St Ives School of artists in England which included Barbara Hepworth, Ben Nicholson, Terry Frost, Patrick Heron, Roger Hilton, Peter Lanyon, Bryan Wynter and Bernard Leach. 

After the death of her mother Flora Scales moved to Cornwall, England. Flora Scales in conversation with Janet Paul, Rotorua, New Zealand, 27 March 1979: “I went to a horrible room in Mousehole, all yellow rocks. Not a good place for painting. Back to St Ives. I lived in a little hotel on the sea front at Penzance. Had a sale and then went back to St Ives. I used to pass Barbara Hepworth's studio and could hear her hammering. She was always hammering. I didn't like to disturb her and never went in." 

In her series of studies of this subject Scales may well have moved between a greater and lesser degree of abstraction making it difficult to determine in which order they were painted.

Related images