Still Life, London

First title and provisional date supplied by the artist for Auckland City Art Gallery, New Zealand, exhibition, Helen F V Scales, 1975-1976. Listed as artwork no. 43 in this exhibition. Second title and date supplied by artist at time of donation, 1979.

Flora Scales was in New Zealand from July 1972 until late 1976, making the date c.1970 more likely.

Alexander Turnbull Library, National Library of New Zealand documentation notes, “Possibly a teapot, mug and fruit on a table. Semi-representational”.

Two black and white photographs of this work are included in an artist’s file dedicated to Flora Scales at the Alexander Turnbull Library, National Library of New Zealand, reference Scales, Helen Flora Victoria, 1887-1985, Artist file prints [see Related images 1-4]. The file contains black and white photographs on card of 26 of the artworks in the Alexander Turnbull collection and one not held in the collection [Untitled [Sand Dunes] [BC011]].

Each card measures 167 x 216mm and the image size varies. Each card has handwritten reference notes along the top detailing artist name, title, year, size, and reference number. Further, on the back of each card are handwritten annotations with information including media, reference numbers and location within the physical collection. The overleaf of one of these cards notes, "Date difficult to decipher."

The cards in this file are undated. Correspondence B. de Lange and Kimberley Stephenson, Research Librarian Pictorial, Alexander Turnbull Library, September 2025, notes, “Neither the associated copy negatives nor the file prints are dated but based on notes I found in the negative register one group (intermittent between 1/2-092380-F and 1/2-092705-F) was in existence by May 1979, while a second group (intermittent between 1/2-162480-F to 1/2-162510-F) had been created by December 1986. Given most of the paintings entered the collection in 1979, this does suggest that the first group shows the works soon after they were accessioned. The second group appears to have been taken during reframing or conservation treatment as many are shown without their stretchers.” It is assumed that a card was made for this work at both dates, resulting in two copies noting similar information.